By Betsy A. McLane
Finally, A historical past of Documentary movie retains and updates the instructed readings and critical movies and the tip of every bankruptcy from the 1st variation, together with the bibliography and appendices. most unlikely to speak learnedly approximately documentary movie with no an audio-visual part, a significant other web site increases its intensity of data and total usefulness to scholars, lecturers and movie lovers.
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Extra resources for A New History of Documentary Film: Second Edition
He revived this custom for the purposes of his film and organized the narrative around the initiation of one Samoan youth named Moana. Preceding and paralleling the scenes of tattooing are scenes of the gathering of food – in the jungle, from the sea, and along the shore – the making of clothing and ornaments, the preparing and cooking of a feast, and the dancing of the Siva by Moana and his intended bride. When the tattooing was completed there was a ceremonial drinking of kava (a fermented beverage made from the crushed root of a shrubby pepper) by the chiefs, and a celebratory dance by the men of the village in honour of Moana’s courage.
It was on his third expedition – 15 August 1913 to 3 October 1914 – that Flaherty, encouraged by then-affianced Frances and again funded by Mackenzie, supplemented his still photo kit with motion picture equipment to record what he saw. Supplies included ‘a comprehensive motion picture and camera outfit including 1,000 pounds of chemicals, 25,000 feet of film and 2,000 dry plates’ (a letter from Flaherty to Mackenzie). To prepare, he took a short course in camera operation offered by Eastman Kodak in Rochester, New York.
The triangular interaction of money/business, technology/equipment and artistry/ aesthetics has shifted many times and continues to shift today. Thousands of people of every type raise money, make, and explore the world with documentaries. And whether one subscribes to, revolts against, partially accepts, or tries to escape from them, John Grierson’s now 70-year-old ‘first principles of documentary’ remain part of the core of its history. 1) ‘We believe that the cinema’s capacity for getting around, for observing and selecting from life itself, can be exploited in a new and vital art form.